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Bocca di Rosa De André Fabrizio De Andrè

De André Talk, di C. Sassi e W. Pistarini (Coniglio Editore)

Le interviste and press articles Vintage

A shy man, an educated writer, a friend from the jovial fascinating dialectic: what looks like De André who contributed to the construction of his image? Certainly the talent and care for his work are the elements that led the singer to become the great Genoese artist who continues to fall in love with itself for generations. Yet not enough, those who want to unravel the mystery, with the "public figure". Read his long conversations, the ones that you let go when he did not feel under the spotlight, helps to dissolve some of the nodes of a complex personality, but never nebula. When it seemed to forget that the His words would be read by a community of fans who grew from year to year, De André was turning into a great communicator and spoke of his pleasure with the projects of the Italian musical world (harsh criticism of the singing competitions, the first of Sanremo) but also with topics related to his personal life, such as transferring to Sardinia to devote to breeding and agriculture, or the account of the difficult days of the kidnapping. The volume also offers the facsimile reproduction of numerous articles now unobtainable.

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Talk - often made me think

Fabrizio De Andrè - I often did think, by various authors, book + cd + book box set (Eluthera)

Fabrizio De André is still one of the singers, even some of the most beloved poets' by everyone - from those who lived through his songs accompanied by the second half of last century as to who has never "known" and discovers the special relationship oggi.Un De André has always had with the anarchists (among other things has always been defined as such, since the sixties). In 2001, the monthly "In the anarchist magazine" has produced some CDs and DVDs on him. Not so much the singer, as on intellectualism, the supporter of many "lost causes," the singer of thieves, hanged, prostitutes, Indian, zingari.Il primo di questi prodotti è il cd+libretto ed avevamo gli occhi troppo belli, nel quale viene eseguita, tra l'altro, una versione live del brano Se ti tagliassero a pezzetti e l'esecuzione inedita del brano I Carbonari. Ma soprattutto in questo cd si può ascoltare la sua inconfondibile voce parlare appunto dei temi esistenziali e sociali che hanno infl uenzato la sua poetica.Ci ritorna un Fabrizio fine pensatore sempre schierato – come amava dire – in direzione ostinata e contraria. Il libretto contiene scritti di Emile Armand, Mariano Brustio, Giovanna Boursier, Paolo Finzi, Romano Giuffrida, Mauro Macario, Errico Malatesta, Riccardo Mannerini e della redazione di «A rivista anarchica».

IL LIBRO: DE ANDRÉ: THE EYE OF MEMORY - THE TRAIL OF MEMORIES WITH FABRIZIO Romano Giuffrida - 168 pp. ill. Foreword by Massimo Mauro Macario Illustration Caroldi

on the scene of major cultural and social changes that have affected Italy in recent decades, Fabrizio De André did not weave the web of feelings and emotions that have drawn the libertarian to feel more than a generation . The book reads his songs tracing the "wire" that made up the tapestry of his art, defining the routes and tones that have most influenced the thinking and political actions of those who loved his poetry. In this trip down memory lane with Fabrizio De André, the author also met with the words of those Faber sang and those who, in his poems, not only is recognized but has also found a way for his life and deeds.

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Fabrizio De André. Illustrated Discography

Fabrizio De André. Illustrated discography, M. Blacks, C. Sassi and F. Seventh (Rabbit publisher)

This book reconstructs and analyzes the discography of Fabrizio De André with pretensions to completeness, and actually achieve their goals. For the first time his work is on file in the first 45 laps left in 1961 (and not 1958 as erroneously reported by almost all discographies) until the last publications. Every aspect of De André is passed through a sieve with rigor, clarity, and in many cases unpublished reports, hundreds of rare images of covers and labels.

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Playing for Fabrizio De André

Playing for Fabrizio De André, S. Algozzino (Becco Giallo)

What if Tito, Marinella, the Gorilla, Mich., Bocca di Rosa magically take life to tell - from a privileged point of view - their unforgettable creator? Prostitute, fools, drunks, transvestite a gallery of memorable characters, "last", a chorus of voices, and unprecedented passionate life is in comic form: an original, intimate journey in four acts in the work of Fabrizio De André. One interesting tool to continue to remember it, study it, I always felt close to 10 years after its scomparsa.Intenso. I can not find better adjectives to describe the journey that led me to this book. Tito, Mich., Andrea: I can still hear them talking in my head, fighting over who should go on stage, discussing sex, religion, politics, poverty. (Sergio Algozzino). I understood the first agreement, the first breath, at first hearing. Melancholic melodies, something that medieval times, raw, delicate and blood, I was shattered. Today continue to do so. (From the preface of Guillaume Bianco)

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Oversized prayers

Smisurate preghiere. Sulla cattiva strada con Fabrizio De André, di C.G. Romana (Arcana)

La Genova stretta e impossibile da strapparsi dal cuore, il mare “dove ogni onda è un’altra”, gli straccioni senza vergogna, l’amore mercenario delle puttane, la morte che punisce i potenti, le preghiere senza Dio, l’eresia, la bestiemmia, l’anarchia. E poi ancora Villon, Rabelais, Brassens, Leonard Cohen, il Maggio francese, il Sessantotto, Spoon River, Aristofane, il canto delle onde e quello marinai.Smisurate is a journey of prayer and dense novel, lyrical and camo, made of small revelations and long anecdotes, memories exposed to the wind and narrated by his friend who shared the journey. A wraparound amarcord where the heart slows down and his head walks, and where sometimes you need a long breath to avoid being choked with emotion. The dreams, the doubts, the loves of our greatest singer-songwriter told through his songs and his golden voice. That of a poet who died with difficulty, or which, as anyone who has loved, in that January of '99 has never really died. "Why do not you write something about Don Quixote?". "I like Cervantes, but Don Quixote I never loved, "Fabrizio final sheared. And he launched into a digression on the dream, "which is something different dall'allegoria: the allegory returns the reality in a gift box, the dream eludes. "I am not one who sells dreams: the dreams you dream, the reality is told." He was never given more perfect definition of the work of Fabrizio De André: there was inside his fearless urgency of lucidity, stubborn sense of reality that, even in the wildest flights, still holding his poetry and makes it useful and great. NEW EDITION

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poetry to music by Fabrizio De André

poetry to music by Fabrizio De André, L. Tibaldi (Zone)

De André's songs analyzed like real Italian poems of the twentieth century, a survey focused on humanity and the author of texts on the themes and feelings stronger: the need for love, the incumbency of death, the search for God

in listening to the songs of the singer Genoa we realize immediately that the choice of care required of each word. As each term in the poem is set in a specific place (for meaning, musicality, and stylistic requirements metrics) in the same way, in the songs of De André, used the word fills the entire space available to it and has an absoluteness that makes it look as irreplaceable. The meeting with the author's poetry is not, however, immediate. Here, the songs are stripped of their music as to be stripped and analyzed. The approach to the texts is implemented strictly in accordance with that which would be used in front of any of the twentieth century Italian poetry, providing a reading metrics, style, vocabulary, rhetoric, and not least, of content of the songs. This analysis shows a proposed trail route in an attempt to keep in touch with the motivations that have driven the search for the singer. The purpose of ethics che, sempre, egli ha posto sullo sfondo delle storie raccontate in musica, è una caratteristica peculiare della sua produzione artistica e per questo motivo ho ritenuto di dover riservare una grande attenzione all’analisi dei temi trattati. Gli album sono affrontati nel loro insieme e in una sequenza strettamente cronologica, anche per poter gettare le basi di quel percorso trasversale affrontato nei due capitoli successivi. L’indagine di De André è tutta concentrata sull’umanità, per questo il mio lavoro si muove all’inseguimento di quei sentimenti che, secondo l’autore, la caratterizzano: la necessità dell’amore, l’incombenza della morte, la ricerca di Dio. All’amore è dedicato the space of an entire chapter, but despite this, the topic is so vast that break down the barriers that have been assigned to surface in different places. De André, this is the feeling that more conditions and characterized, for example, the existence of a woman. Not only, therefore, traditionally sung love between man and his partner, but also the love that is in quell'accezione unique heritage of women. That motion of the soul that is incarnated in the figure of the mother and the prostitute, the opposite sides of the same coin to protect the two images which are called "mythical", on the one hand and Mary the mother of Jesus, Bocca di Rosa and on the other. The topic also includes classics such as topos the forced separation of lovers, often caused by war, and the reflection on trying to impress and break down the barriers of time. At this point in the analysis, the theme of love is already inevitably tied to the investigation into the death. This combination, which so much of our literature has had to face, back into the songbook deandreiano with a force difficult to estimate. That's why my office runs along the boundary line which constantly oscillates between the triumph of life, made love, and the triumph of death. Victoria, the latter, to which the singer can not give up easily, and which carries within it the seeds of religious tension found throughout his work and where the last part of the study is dedicated.

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1958-1968: De André Fabrizio De André

1958-1968: Fabrizio De André, S. Tuna (Edizioni La Lontra)

In Genoa postwar some friends decided to revolutionize the world of song: they succeeded. The ten years of carefree Fabrizio De Andrè spent in the company of his many friends. The premises in which it was seen and the countries he visited. Musically, the best time interesting, very creative, youth protest and social commitment. A journey to the places from which the Valle Scrivia his motives were born immortal.

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. The eyes of memory

De André. The eyes of memory, R. Giuffrida (Eleuthera)

on the scene of major cultural and social changes that have affected Italy in the last four decades, Fabrizio De André did not weave the web of feelings and emotions that people feel drawn to the libertarian more than a generation. The book reinterprets songs by Faber tracking the "wire" that made up the tapestry of his poetry, defining the routes and tones that have most influenced the thinking and political actions of those who loved his poetry. In this trip down memory lane with Fabrizio De André, Romano Giuffrida meets even the words of those who sang and Faber those who, in his poems, not only is recognized but has also found a sense of his life and his actions. They are ideally write letters to Fabrizio: Carla Corso, Merini Alda, Andrea Gallo, Giorgio Bezzecchi, Massimo, Claudio Lolli, Tonino Paroli, Stephen Raspa.

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Fabrizio De André. Obstinate and contrary in direction

Fabrizio De André. In obstinate and contrary direction, by A. Podesta (Zone)

A contribution of rigorous research and study of textual production of an artist who has won acclaim across generations and continues to accompany us with his voice and his words - miraculously, poetically "correct." Through careful analysis of texts of all his songs, Andrea Podestà guides us to discover the world Faber has dreamed of, and trace the profile and the location of one of the greatest singers of our time, considered - and rightly so - the real contemporary Italian poet of the song. There are many publications on De André, but this book has the merit of analyzing his songs with meticulous attention and prompt to seize (and "tell" the reader) aspects - language and composition - that have marked the unmistakable style, literary and cultural influences that have contaminated following the exact chronology of his long and successful produzione.Il book includes a lengthy interview with Mauro Pagani, a long-time collaborator of De André, and a passionate interview with Beppe Grillo, a close friend of Fabrizio, and a wide selection of equipment with discography, site links, fan club. It 'difficult to remain indifferent to the figure of Fabrizio De André. He did the "scandal" of its exceptional consistency of man, always on the side of a poet "who travels in the direction of obstinate and contrary to / with his special brand of Special despair, "the anarchist believes that true freedom of man one day will come - indeed, has already made - in the" other ": prostitutes, homeless, Native Americans, gypsies ... It 's this consistency that hit Andrea Podestà , 33, Genoa, teacher of Literature, author of the book.

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Fabrizio De André. Time saved souls

Fabrizio De André. Saved souls, A. Sinopoli (Auditorium Edizioni)

first book devoted especially to that masterpiece which is Salvation. Alessandro Sinopoli, thirty from Palermo, in 150 pages agile and svelte, successful on the job, really unlikely to narrow the enormous talent deandreiano, reducing it to its lowest terms, and effect the full and detailed discussion of his latest album, which is the cornerstone of this music by the name of saved souls. Alessandro part in order, fall into the chronological order of the 13 studio albums and three live, over 40 years, describes the parable of artistic Fabrizio, still on the rise when the whole has been stopped by death.

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paper

Volta the paper, F. De André and M. Bubola, ill. M. Evangelista (Gallucci)

A woman sowing wheat. The men fled from the war. A child picks cherries and feathers and Angie walking, walking on his blue shoes. Paper after paper, many other characters appear: Madamadorè, the rooster, the mother was born laughing, blond and a driver disk conductor running fast ...

The song by Fabrizio De Andrè and Massimo Bubola, illustrated by Mario Evangelista. Book illustrated in color, large format, attached CD with the original version of the song performed by De André.

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Girotondo A blind poet of anger

Girotondo, F. De André, ill. P. Echaurren (Gallucci)

To the rhythm of Marcondiro, children sing: "When will the war, who will save us?" And in unison they say: "We will save the soldier, who does not want war." But men are not all good. And God does not want to see armies to destroy the Earth. A console will be only the flowers, the woods and the seasons. With children, that will transform the world into a great ride ...

The famous antiwar song illustrated by André De Pablo Echaurren. Book with color illustrations, large format, attached CD with the original version of the song played by Fabrizio De André.

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A blind poet of anger, R. Mannerini (Liberodiscrivere)

"Richard Mannerini was another great friend of mine. He was almost blind because when navigating a boiler had exploded in his face. And 'who committed suicide several years later ... We have written with the Song of drugs, which for me , I was totally dependent on alcohol, had a value liberating cathartic. But the text does not scare me, indeed, I was pleased. It 's a common reaction among addicts welcome the fact that using drugs. I liked to drink , because the imaginative journey through alcohol sbrigliatissima. " Fabrizio de Andrè "an anomaly" , Einaudi, Torino 1999 A world inapparso and a poet who remains - Mauro Macario

anthology of poems by Richard Mannerini, poet underground cult, Genoa, anarchist, who contributed significantly to the human and literary Fabrizio De Andre and shared conception and writing of "All we died with difficulty", the first concept album of the singer, and "Without a schedule without a flag," the first album by New Trolls produced by De Andrè.

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Men and women of Fabrizio De André Fabrizio De André

Men and women of Fabrizio De André, A. Franchini (Brothers Frilli)

Fabrizio talks about politics, art, di economia e le sue parole prendono la forma d’insegnamenti. Non lezioni, ma sommesso argomentare da "maestro di vita". Come nelle sue canzoni traspare così l’impronta della sua anima, l’ansia di giustizia mai venuta meno e il sogno, sempre coltivato, dell’anarchia.Chi ha conosciuto Fabrizio De André sa che con lui si poteva parlare di tutto ed apprendere; mai una cosa sola: suonare, mangiare, discutere, bere, fumare; con lui, molto semplicemente "si viveva". A queste conversazioni fa da sfondo il clima culturale e politico degli anni Settanta - Ottanta, col forte incremento dei nuovi poveri, immigrati, zingari, ai margini di quella società che Fabrizio aveva definito "l’economia del dono".In half the works of singer songwriter - poet, those songs that, through the stories of many heroes "backwards" in a magical fusion of music and verse, we have made known the oppression of the strong, their and others' miseries, many loneliness of men and women, war, madness, morte.Uomini and women of Fabrizio De André unfolds between the immensity of a restless sea and fragrant, the hardness of the Sardinian countryside, the site of concerts, hallmark of the book, the first public appearance in 1975 until the last book of 1998.Il, exhausted in the first edition (Cagliari 1997), is proposed by the author in a new edition completely revised and enlarged.

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. The last troubadour

Fabrizio De André. The last troubadour, R. Iovine (Brothers Frilli)

Beloved by generations, read and studied in literary anthologies, Fabrizio De André continues to inspire biographies and music initiatives. The author does, in this voloume, a trip around the myth De Anbdré putting its attention on the musical aspects of the personality Faber, its deep Genoese that inspired pages fascino.Emerge remarkable portrait of an artist of deep culture, ability to find, from time to time, the holiday companions right, while maintaining its own, unique "brand" fabbrica.Anarchico lonely and irreverent, secular from religious intimate vein: the author imagines it as a sort of last Genoese troubadour, no longer serving the powerful, but only of himself and his faith morale.

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Hotel Supramonte

Hotel Supramonte, R. Saba (Zone)

Fabrizio De André and his kidnappers. "I feel more peasant musician. This is my port, my final point. Here I want to live, grow old ... "(Fabrizio De André). Fabrizio De André chose Sardinia as a place of life, not just for vacation, because he felt his son. He loved his atavistic nature, the horizons are unlimited, the scents and vibrant colors, but also the ancient poverty that sometimes leads to crime sadly originals. Because - as a "Janas" the double face, half witch and half-fairy - the enchanted island is also the stepmother of the earth "Sardinian bandits." There Faber was kidnapped along with Dori Ghezzi August 27, 1979. They remained prisoners of their captors for over one hundred and seventeen days. From that experience, the Genoese singer-songwriter was able to draw and provide a great lesson, art and life. This book tells the story: the kidnapping, imprisonment, negotiations, the characters, the background, the legal proceedings, the songs that we have made the spirit. And Sardinia, his bandits, kidnapping, the most famous ...

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Genoa. Songs uphill

Genoa. Songs uphill, M. Angiolani (Zone)

guide to the city and its songs. A Genoa so you have not yet seen. This guide (a guide to get lost, "according to author) takes you around from west to east, from the sea and up the steep streets that climb the mountains in search of places immortalized in the songs of Paul, De André, Bindi, Tenco, Lauzi, Fossati (the great Genoese school) or their younger "heirs": Francesco Baccini, Max Manfredi, Claudia Pastorino, Fabrizio Casalino and more ... You will discover alleyways, Creuza, squares, corners, or hidden magic of the city in a completely different light, and you are a tourist in search of new emotions or just a curious resident, the charm of the "Superba" will win too. Marzio Angiolani draws a map "Music" in Genoa unique, poetic, exciting, and does not make us miss a rich array of useful information, leisure, eating, sleeping, and drinking well - of course - listening to good live music. The "Guided" Federica Bocci striking counterpoint this tour to discover - as befits a true guide - the places of art "official." For example, we follow a route almost obligatory, that the Old Harbour, from Piazza Caricamento and then between the odors and fumes of fried food and focaccerie Sottoripa leads to Via del Campo, the way of pretty, big eyes the color of leaf. The Genoa City has voted "street music", it is the home to the famous and original museum of memorabilia dedicated to Fabrizio De André. Discs, covers, posters, articles and reviews, photos, books, engravings unavailable, the historic guitar Faber, finance of school report cards: all collected and preserved by his childhood Gianni Tassio, and genuinely zenéise round man, able to entertain you for hours with his anecdotes, memories, stories, a real mine. The streets, squares, alleyways, the creuze, the most magical places in the city's hidden or bind it to the words of beloved songs. Step by step, and through a language rich in color and image, Marzio Angiolani draws a new and fascinating map of the city, making us not miss a rich array of useful information, to eat and drink and (of course) listening to good music. How all'Ostàia de 'Banchi, in Piazza Banchi, the most Antica Osteria di Genova where Gigi Picetti "studies alcohol with the commitment of the philologist and the passion of the Alchemist", which says that the young Garibaldi ended the victim of a brawl on the eve of an insurrection, and where today improvised performances and concerts (hence also passed Moni Ovadia). Or the Merry Wine Vico della Neve, where Frederick Marietta, between the counter and display case of cheeses, let those who want to play in a "scene" worthy of the best comedies of Gilberto Govi.

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